For up to 10 minutes apiece, its monolithic tracks marched between countless time signatures.
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The subsequent Justice was an even bolder test of metal’s limits. The next year’s follow-up, Ride the Lightning, controversially introduced acoustic guitars and bass solos, before 1986’s Master of Puppets became an underground smash, incorporating never-before-heard song structures and eight-minute-long instrumentals. The searing sound of hard rock virtuosity grinding with punk, it was a counterattack against hair metal’s domination of the scene. True to that spirit, Metallica defined a new subgenre – thrash metal – with their 1983 debut album, Kill ’Em All. There’s no nostalgia driving this band we used to be very fearful of it.” We think outside the box and we try to be the first at things. “We’re overachievers and we’re perfectionists. “Thirty years of the Black Album, it’s a pretty big year,” says Metallica’s singer, guitarist and co-founder, James Hetfield, rather drily – by his own admission, they are a band not usually given to looking back. The band are commemorating the record’s 30th anniversary by releasing a 52-track covers album, The Metallica Blacklist, with stars as giant and eclectic as Miley Cyrus, Elton John, Phoebe Bridgers and Biffy Clyro giving their takes on the album’s tracks. Its third single, the swelling Nothing Else Matters, passed 1bn YouTube views last month. It went 16 times platinum in the US and has spent 622 weeks (and counting) in the US album chart. Released 30 years ago this month, no metal album since has matched its impact every parameter was reset for what such belligerent music could achieve. They seized their moment with the Black Album, as their self-titled next LP became known. Their Damaged Justice tour had packed arenas across the US and Europe.
METALLICA NOTHING ELSE MATTERS AWESOME INTRO TV
Their first music video, One, had finally earned them MTV airplay, blasting their intricately crafted savagery through every TV set in the US. Their 1988 album, … And Justice for All, had been in the US chart for a year and a half. So that’s what I’ve always loved about Metallica is that they don’t shy away from a great hook.B y the end of the 80s, it seemed certain that Metallica would be the biggest metal band in the world. It’s kind of a gateway to metal because they’re so hooky and you can hold onto so much of it and it actually can get stuck in your head. But when I was a teenager, I went to Outside Lands, and I definitely knew Metallica songs from video games and stuff, but I went to Outside Lands and saw their set and was like, 'This is a rock band'. "I think it’s funny, my intro to them was probably way later than so many people who have always loved them. "I’ve always been a big Metallica fan," the singer explained to Apple Music's Zane Lowe. Bridgers, whose most recent album Punisher was hailed by Hot Press as "an expectation-defying album that finds her exploring the grey areas," has turned the rock track into an eerie, lilting, baroque-style indie track. Vincent and more.īridgers produced the song alongside Ethan Gruska and Tony Berg, and it also features contributions from her frequent collaborators Marshall Vore and Rob Moose.
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METALLICA NOTHING ELSE MATTERS AWESOME INTRO MAC
The track is Bridgers' contribution to the star-studded Metallica Blacklist album (due for release on September 10), which is also set to feature covers from the likes of Moses Sumney, Mac DeMarco, St. Phoebe Bridgers has released her cover of Metallica's 'Nothing Else Matters'.